Good Grief

I have a black Lab called Rhoda.  I am her person and she is mine.  Sometimes it shames me how much I love her.  After all, I have two sons and a husband of almost 30 years.

“Go on, girl,” I said as I let her out through the sliding glass back door. My fenced-in yard was bursting with flowers.  

Val was away on a trip looking for work. Aaron had recently moved out. Oliver was at his job at the sneaker store.

When I am alone, my body takes on a different form. Everything loosens.

I rubbed the sleep out of my eyes and took my coffee from the stove.  I scanned the yard for Rhoda and didn’t see her.  

“Where is that girl?” I said aloud to myself, as I sometimes do.

I stepped outside in my slippers and saw that the wooden gate was wide open and a truck was rumbling down the street. In an instant I saw black. I  It was as if my vision were dissolving. My body was electric.

“Rhoda!” I screamed.  It was guttural and all-consuming, a desperate sound.  

I turned my head slightly to the left, my vision returning, and there she was, bounding toward me, all alert and knowing.  I gulped the air and swung my arms around her neck, kissing her.  I was gasping and sweaty.  My face felt distorted by grief.  

We both went inside.  I sat on the couch, her paws in my lap, and waited to return to myself.  Rhoda seemed to be waiting as well. I sipped my coffee, my breath no longer halting, and shamelessly hugged my girl.


Leslie Lisbona has been published in various literary journals, most recently in Wrong Turn Lit, The Bluebird Word, and Dorothy Parker’s Ashes. She was featured in the New York Times Style Section 3/24. She is the child of immigrants from Beirut, Lebanon, and grew up in Queens, NY.

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